Rode Wireless GO II is an excellent miniature professional wireless system consisting of two (2) transmitters, 3.5mm output and an on-board recorder. It is a successor to a highly successful first generation of GO with more features added to it, although the audio quality of both is same. Transmitters or the body packs have built-in mics to get you started, but more often than not, it is used with plug-in lavalier mics. Any generic 3.5mm…
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Shure MV7 – premium dynamic USB mic… worth it?
Shure MV7 is a dynamic USB mic with a decent sound quality that emphasizes comfort and usability for everyday use. The idea behind MV7 was to create an easy to use solution for podcasting, mimicking the legendary SM7b. Despite my initial disappointment, the mic turned out to be a success, relatively. More compact and cheaper than the SM7b, it also doesn’t require a preamp or an expensive audio interface. The quality is actually quite good…
Read MoreAKG Pro Audio D7 Reference Microphone Review
AKG D7 is a premium dynamic supercardioid stage mic with a smooth and open sound that is quite resilient to feedback. On paper it may look identical to D5 but don’t get confused because there are distinctive differences in the sound. AKG D7 is a step up in quality, and it is also more expensive but fortunately, you do get what you pay for. As a reference mic, it delivers a very natural tone despite…
Read MoreElectro-Voice RE20 Broadcast Dynamic Microphone Review
Electro-Voice RE20 is an industry standard dynamic broadcast microphone that offers maximum background rejection without sacrificing the quality and the tone of the voice. The mic has a rich and deep sound to it, not as bright as the RE320 as but certainly brighter than the Rode Procaster. The greatest advantage of the Electro-Voice RE-20 is what they call the variable-D response, which gives it a uniform sound regardless of how close you are to…
Read MoreSennheiser e965 Review – Switchable True Condenser
Sennheiser e965 is a premium large diaphragm vocal mic with a true condenser capsule, switchable between cardioid and supercardioid patterns. This mic has been out for some while remaining relatively unknown. The price was high in the beginning, it costed as much as Neumann and other high-end models, so those willing to try it out were few. But recently, the price has been significantly reduced, so we finally decided to give it a shot and…
Read MoreSennheiser MKH 8050 / MKH 50 – supercardioid indoor microphone
Sennheiser MKH 8050 is a supercardioid microphone, an industry standard for miking dialogues indoors as well as spot miking. It has natural, well-rounded sound, distinctively rich and warm in character. It offers significantly more side rejection than a cardioid but less than an interference tube shotgun. Unlike shotgun however, MKH 8050 has very little off-axis coloration, sounds more natural and less susceptible to comb filtering, which is a common problem when interference tube mics are…
Read MoreSennheiser MKH-8060 Review: extended reach short shotgun
Sennheiser MKH8060 is a professional short shotgun that features very low noise levels while being highly directional. It has distinctive switches for adjusting frequency response and offers an improved off-axis response at higher frequencies, which helps to reduce the unwanted comb filtering effects when operating in proximity to the walls. It is highly sensitive yet there is no audible distortion and the on-axis response is as neutral as it could possibly get even at 20 kHz….
Read MoreSanken COS-11D Omni Lavalier Mic Review
Sanken COS-11D is a top of the line omnidirectional lavalier widely used in professional broadcast. It is very small (only 4mm in diameter) and easily concealed under clothes. The three main advantages are the size, the most natural open sound and the fact that it produces the least handling noise when rubbing against the clothes. Sanken is a Japanese manufacturer with a long history and COS-11D is probably the most popular mic they’ve ever produced….
Read MoreSennheiser MKH416 Review – Video Production and Voice-overs
Sennheiser MKH416 is a professional shotgun microphone, which is also a renowned industry standard for filmmaking, documentary, television and voiceovers. It uses a true condenser, externally polarized capsule of a high quality that can tolerate harsh conditions very well. Featuring a fantastic rich and natural, clean tone it requires little to no postproduction at all. The amount of rejection is not too tight, it is also one of the few shotguns that works well for…
Read MoreElectro-Voice RE320 Review – Dynamic Recording Mic
Electro-Voice RE320 is a large diaphragm cardiod dynamic microphone widely used for radio recording and broadcasting. This mic is fairly sensitive and requires a quieter or moderately treated room in order to be effective. It is great for spoken word and singing when you want to capture all the detail and nuances while giving it a touch of silkiness and smoothness of a dynamic. RE320 is hotter than Shure SM7B and other broadcaster mics like…
Read MoreHeil Sound PR35 – Cardioid Dynamic Review
Heil Sound PR35 is a high quality, recording-grade dynamic handheld with an emphasis on presence and a rich, extended low end. This mic sounds very smooth, the highs are clean and there is almost zero harshness. It can be used for high quality live recordings while being stage-worthy and this is a great advantage. On the other hand, in the hands of an unskilled sound engineer and a mediocre quality PA, it may actually sound…
Read MoreShure SM7B Review: Vocal Cardioid Dynamic Microphone
Shure SM7B is a legendary high-end dynamic microphone, often used on radio stations, for podcasting, voiceovers and studio recording as well. Many people believe that to get the best sound it is somewhat mandatory to use only the expensive condensers like Neumann and similar. This microphone can easily prove them wrong. Three times cheaper than TLM 103 and 8 times cheaper than U37, it is capable of producing just as good, and in some occasions,…
Read MoreLewitt DTP Beat Kit Pro 7 Review, Shipped From Heaven
Lewitt DTP Beat Kit Pro 7 is a stunning quality premium set of drum mics that beats pretty much anything in the $1,000 range. The value for money is simply amazing, because this kit includes two externally polarized LCT 340 as overheads, for which alone it is actually worth buying! Toms, snare and kick mics are excellent too – for dynamics, they offer a breathtaking amount of detail and clarity without compromising their low-end response….
Read MoreShure SM81-LC: Cardioid Instrument Mic Review
Shure SM81-LC is a very neutral and transparent instrument condenser with electret bias. It is mainly used in studios for recording of guitars, pianos and cymbals but it’s also suitable for a wide range of different instruments. It is considered industry standard and although there are plenty of different SDCs available on the market today, few of them can quite match the old Shure in terms of quality. SM81 offers excellent definition, very consistent highs, low…
Read MoreAudix SCX1-HC – indoor hypercardioid review
Audix SCX1-HC is a professional hypercardioid SDC, mainly used for booming interviews and dialogues indoors. It can also be used for instruments when you want to achieve maximum isolation. Hypercardioid pattern makes it ideal for working in untreated rooms as it helps to minimize the impact of reflections. This mic has high sensitivity and requires some distance from the target. It has quite a narrow pickup, compared to other hypercardioids, and thus works best for…
Read MoreRØDE NTG3 Review: Professional short shotgun
Rode NTG3 is a well-priced professional shotgun that boasts stellar sound quality and low self-noise. It is ideal for budget film or field production where you want to get the best sound for the money. It can be a good alternative to Sennheiser MKH 416 because it does almost exactly the same job at a lower price. This mic has RF-bias capsule, which is known as true condenser. This sets it up from entry shotguns…
Read MoreShure KSM9 Condenser Microphone Review
Shure KSM9 is a professional on-stage condenser mic. This model is renowned and remains a favorite choice of many musicians. It offers a natural, open sound, with a very balanced low-end, beautifully smooth midrange and brilliant highs. Giving just enough brightness to put you in line or slightly ahead of the instruments, I find it working great for all types of voices too. As expected from professional equipment, you’ll get that superior quality and low noise levels. The unique…
Read MoreRode VideoMic Pro Compact – DSLR Mic Review
Rode VideoMic Pro VMP is a compact professional mic that perfectly sits on any DSLR camera while leaving minimum footprint. For an average consumer it may seem somewhat expensive, but it is Rode and it pays out with quality. If you want to achieve a decent sound for your recordings this would be a must have addition, as even high-end cameras sound terrible with their in-built mics. Not only can this model deliver a clean…
Read MoreAudio-Technica BP899 Mini-Lavalier Microphone Review
Audio-Technica 899 is a high-end lavalier with a standard XLR output, featuring a very low profile and an exceptional sound quality. It is somewhat expensive but it in no way overpriced, as it brings the best experience you can ever get with a lavalier. This mic can be used for pretty much anything: video making, broadcasting, theater play, church service, etc., especially when you don’t want it drawing unrequired attention. The package also includes a…
Read MoreNeumann TLM-103 Cardioid Microphone Review
Neumann can be undoubtedly named as one of the most recognizable microphone brands, especially in professional circles and this is far from being an accident. The company has a long history – it survived the World War II to bring forth the first-ever commercial condenser mic and eventually set quality standards for the whole industry. Neumann mics remain to be the top-notch up to day, but what’s even more important is that they have their…
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